Songs about amnesia movie#

Whos song? Ronan Keating’s mother, that’s who. He wrote this song to commemorate his late grandmother who died while he was in the studio. This song according to Sheeran is meant to make you cry, and it does a good job of accomplishing just that. The song is a future lament for when her mother will die.Ĭonsider next: Best family songs ever made 19. Goodbye’s the Saddest Word – Celine DionĪnother song by Celine Dion, the singer wrote this for her mother, who was still alive when the song was made. While the person still misses their ex, they hate it.Ĭonsider next: Best songs about revenge ever made 18. While most songs about missing people talk about longing and wishing they were there, this one pack in the resentment. This love power ballad relays hope that even though the person you love is no longer here, that doesn’t mean they can’t live on in your heart.

Songs about amnesia movie#

One of the most iconic songs on this list, this tune was composed by James Horner for the movie Titanic and performed by Celine Dion. Erick Clapton lost his 4 year old son, Conor, and wrote this song as a testimate of his grief. Missing someone who’s died may be one of the worst feelings ever. The scattered memories in the lyrics suggest a breakup happened and the drunk protagonist becomes overwhelmed with longing, they can’t help but call up their ex. This song is a passionate plea for one’s lover. We guarantee this will be one you’ll want to listen to on repeat. This has got to be the catchiest and happiest out of all the different songs about missing someone you love.

I’m Gonna Be (500 Miles) – The Proclaimers Next: Top songs about long distance relationships 13. While the two never actually got together, the song is about a long-distance relationship between two teens talking about their future. The song oddly enough is about a real person that Tom Higgenson met named Delilah. I swear we all had this song playing on repeat during our teen years. Linda and James’s soundtrack version perfectly capture the same emotion 12. While in the movie, this song was sung by a brother and sister mouse missing each other, but hopeful that they will one day see each other again. This song was originally written for the animated movie An American Tail.

Somewhere Out There – Linda Ronstadt and James Ingram The story is about a girl dancing with herself while watching her ex-dancing with another. Some called in melodramatic while others praised the song. That AMOR grafts dark-hued modern stressors onto a pulsing rhythm cannot be a surprise through 'Amnesia,' they build a testament to the ways in which life just keeps going, no matter how bright or dark. How we dance can hold a mirror up to the times in which we live, and have lived, and those who came before us. Youngs stretches the title of the track over bars of frenetic rhythms that come unsteadily to rest before surging again into the coda life keeps moving onward. Duch's elastic, open-air acoustic double bass pillows against Youngs' application of minor-sustained piano chords and pensive, falsetto vocal passages which speak to memories of tenderness (' My heart feeling / Your future mind / My world mirrors / Your open sky') in another place, perhaps another planet. 'Amnesia,' the long-playing B-side to their second single, ably reconciles the hustle of dance rhythms with Fowler's digital manipulations. Joined by acclaimed filmmaker Luke Fowler (electronics, processing), jazz bassist Michael Francis Duch, and drummer Paul Thomson of Franz Ferdinand, Youngs leads a headlong charge, storm clouds overhead, into the crates of disco's past, with a stacked deck of creative minds and a timekeeper who steered the '00s post-punk revival to some of its greatest successes. Far from appropriation, we find reverence.

AMOR can be taken as a continuation of those feelers into the known world – this time, Loft-style mutant disco, straight out of downtown New York at the turn of the '80s. In recent years, Youngs has pivoted to more familiar displays of genre awareness, exemplified on the Eno-esque pop perfection of 2009's Beyond the Valley of Ultrahits. Leader Richard Youngs (vocals, keyboards) needs little introduction to followers of experimental sound art, with a body of work spanning decades and encompassing hundreds of releases - from ruminative folk (1998's Sapphie) to mournfully piercing displays of noise and tape loops ( Advent) and points in-between both introspective and maximal. Glaswegian quartet AMOR is one of the greater, and darkly pleasant, recent surprises in dance music.